fa تحلیلی بر نقش مذهب شیعه در شکل‌گیری نشانه‌های تزئینی دوره صفوی در اصفهان (مطالعه موردی: مسجد شیخ لطف‌الله و مسجد امام) روان شناسی محیط پژوهشي-مورد پژوهی Research <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">در</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">ساماندهی</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">مساجد دوره صفویه در اصفهان</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">می‌توان</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">اصولی</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">را</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">یافت</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">که</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">به‌عنوان</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">زیرساخت</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">تصمیم‌گیری</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">طراحان</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">این</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">دوره</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">برای</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">طراحی</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">نقوش</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">و</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">تزیینات</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">بوده است.</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">لذا پژوهش حاضر، سعی برآن دارد که با هدف یافتن</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">میزان</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">همگرایی</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">این اصول با</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">یکدیگر</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">در</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">طراحی</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">تزیینات</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">مساجد، به این سؤال پاسخ دهد که</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">مذهب شیعه چه تأثیری بر شکل‌گیری نشانه‌های تزئینی مساجد دوره صفوی در اصفهان از جمله مساجد امام </span></span></span><span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">و</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">شیخ</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">لطف&shy;الله</span></span></span><span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;"> داشته است. با استفاده از نتایج این پژوهش می&shy;توان نشانه&shy;هایی تزیینی را منطبق بر مذهب شیعه استخراج نمود. </span></span></span><span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">پژوهش حاضر از نوع توصیفی تحلیلی بوده و از روش تطبیقی-مقایسه&shy;ای جهت بررسی و استخراج تمایزات و تشابهات نقوش تزئینی دو مسجد شیخ لطف&shy;الله و امام اصفهان و با اتکا به منابع کتابخانه‌ای صورت گرفته است. برای تفسیر محتوایی داده‌های متنی از طریق فرایندهای نظام‌مند کدبندی، مقوله و تم سازی با تکنیک گراندد تئوری استفاده شده است. نتیجه‌گیری نهایی موضوع پژوهش با توجه به کدهای استخراج شده </span></span></span><span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">با استفاده از نرم&shy;افزار </span></span></span><span dir="LTR"><span style="color:black;"><span style="font-family:Times New Roman,serif;"><span style="font-size:12.0pt;">ATLASti</span></span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">از اسناد موجود و اطلاعات جمع‌آوری‌شده از نقوش تزئینی مربوط به مساجد امام و شیخ لطف‌الله اصفهان به‌طور تفضیلی مورد بحث قرار گرفت.</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">در</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">معماری مذهبی</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">دوره</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">صفویه</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">اصفهان،</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">نوعی</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">تشابه</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">بین دو مسجد شیخ لطف‌الله و امام وجود دارد</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">و</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">اصول</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">تعادل</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">در</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">این</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">آثار</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">رعایت</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">شده</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">است و</span></span></span> <span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">حتی با در نظر گرفتن محدوده زمانی یکسان در ساخت و تزئین بنا، بازهم تنوع نقوش بین هر دو مسجد وجود دارد، اما با وجود تنوع در شکل گیاه‌ها و گل‌ها، رنگ&shy;ها نقوش گیاهی، خوشنویسی، تناسبات ریاضی و هندسی، آیات قرآنی در نهایت اصول اولیه ترسیم این تزئینات مشابه </span></span></span><span style="color:black;"><span style="font-family:B Mitra;"><span style="font-size:12.0pt;">است.</span></span></span> <strong>Introduction:&nbsp;</strong>As an integral part of man&#39;s spiritual beliefs, religion has always played an essential role in his life. The relationship between religion and art is such that in most cases, by looking at a work of art and analyzing the visual elements used in it, one can understand the beliefs of the creator of the work or in other words, the work of art is a reflection of an artist&#39;s beliefs. The topics and concepts of interest and emphasis of the Shiite religion Important and symbolic events from the Shiite point of view are part of the spatial theme of the religious holy buildings in different periods.<br> <strong>Methodology:&nbsp;</strong>This research has various study dimensions, so, different research methods are needed, like the Library method, Field method, and comparative-comparative method. The text content interprets through systematic coding and theme-building processes. Finally, the conclusion of the research subject was discussed in detail according to the codes extracted using ATLASti software from existing documents and information collected from decorative designs related to the mosques of Imam and Sheikh Lotfollah in Isfahan.<br> <strong>Results:&nbsp;</strong>All plant motifs are designed according to a basic principle and have their own rules, but the reason for their great variety is the placement of petals of different sizes and shapes. In some cases, even combining several flowers leads to the creation of a new design.<br> Geometric patterns have been appropriate in the principles of systematic lines. In the case of the qibla wall, its ratio is close to square, as well as the use of one-second ratio to determine the height of the altar and the intersection of one-second diameter and rectangular lines for the upper surface and the division of lateral spaces into two-height frames are common principles.<br> In the field of using hot and cold colors, the designers of the dome of Imam Mosque have generally used a ratio of close to 0.57 (cold to hot), while this amount reaches 0.25 in the dome of Sheikh Lotfollah. In the art of drawing and writing letters and words in Islam, the focus is on the vertical direction because it refers to the higher world and the oneness of God. In the art of architecture, this category has received special attention. Meanwhile, the letters &quot;A&quot; and &quot;Lam&quot;, which symbolically refer to God and His greatness, are more prominent as an indicator of visual movement.<br> <strong>Conclusion:&nbsp;</strong>An important and prominent feature of Shiite art is Shiite religious themes and symbols in works of art. During the Safavid period, the formalization of the Shiite religion allowed Shiite architects to propagate their ideas more freely and reveal the Shiite worldview by creating religious spaces. It is the spirit and nature of Shiism. نقوش تزئینی, مذهب شیعه, مسجد شیخ لطف‌الله, مسجد امام. Shiite religion ,formation ,Safavid period ,Isfahan 65 82 http://hafthesar.iauh.ac.ir/browse.php?a_code=A-10-931-8&slc_lang=fa&sid=1 Reza Oryani Nejad رضا عریانی نژاد 10031947532846004678 10031947532846004678 No Omid Dejdar امید دژدار 10031947532846004679 10031947532846004679 Yes Mohammad Mehdi Soroush محمدمهدی سروش 10031947532846004680 10031947532846004680 No